In the early 1850’s, well before the outbreak of the American Civil War, Frederick City consisted of many downtown-located burying grounds. Most of these adjoined churches and dated back to the founding of Frederick Town in the 1740's.

As the town's population grew, so did the churches and their congregations.  The graveyards were rapidly reaching their capacity for burials. A committee was formed and comprised of prominent member-representatives of each church to discuss a resolution to the problem of burial space. It was decided that a new cemetery would have to be developed to  cater to the needs of an ever-growing Frederick and her religious institutions. 

This was at the height of the "rural" or "garden" cemetery movement, a new school of thought which began in the large cities of the northeast. Herein, the philosophy toward cemetery design was re-examined. Prior to this time, small urban churchyards were the norm but the "garden" cemetery movement promoted larger, park-like spaces on the outskirts of town. These cemeteries were planned as public spaces from their inception, and provided a place for all citizens to enjoy refined outdoor recreation amidst art and sculpture. Elaborate gardens were planted and family outings to the cemetery became popular social activities. 

Jerusalem's Mount of Olives (Israel)

The name Mount Olivet was chosen, perhaps a curious choice for a non-denominational burying ground. The famed Mount of Olives, or Mount Olivet, is a mountain ridge east of, and adjacent to, Jerusalem's Old City. It is named for the olive groves that once covered its slopes. The southern part of the Mount was the Silwan necropolis, attributed to the ancient Judean kingdom. 

The Mount has been used as a Jewish cemetery for over 3,000 years and holds approximately 150,000 graves. Several key events in the life of Jesus, as related in the Gospels, took place on the Mount of Olives, and in the Acts of Apostles it is described as the place from which Jesus ascended to heaven.
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The Charter of Mount Olivet Cemetery was recorded among the Land Records of Frederick County on October 4th, 1852. Thirty-two acres were purchased through stock sales, and a rural architect from Baltimore named James Belden was hired to design and lay-out Frederick's new burying ground. The cemetery was dedicated on May 23, 1854 amidst great fanfare. The cemetery's first interment occurred on May 28, 1854. This was Mrs. Ann J. Crawford, around 67 years of age, a house maid working for the family of James Whitehill, a prominent Frederick businessman and one of the founders of the cemetery.

Victorian Style, "the Language of Flowers"and Symbolism
Mount Olivet’s grounds are made up of hundreds of individual lots, each belonging to individual families. Though little more than cleared farmland in the beginning, early depictions show that many hedges were installed to delineate these property lines and young trees were planted to break the heat of the summer sun. Today these saplings are towering giants that pay homage to all who have passed beneath them.

The families continued developing their lots and pictures from the turn of the century show the refinement that had occurred. Walls, fountains and ornate iron fences had been added to grace the gardens. The Victorian Period (1837-1901) defines the period of Queen Victoria's reign over Great Britain. This measured era of both European and American history introduced a fascination with the natural world and a keen interest in plants. It became quite fashionable to decorate one's home with exotic, often tropical, plants. This would carry over to cemeteries as well. Palm trees and other rare species (to Maryland) would become part of the Mount Olivet landscape here, necessitating the cemetery's first greenhouse, built to "winter" these tender plants in addition to growing flowers. 

Many plants and flowers were symbolic to those of the Victorian Age, either through their ‘language of flowers’ or religious beliefs. Lilies, symbolizing resurrection, weeping willows for sorrow and palm fronds and laurel to indicate triumph of the soul are frequently seen on grave markers.  Bouquet could be used to send a private message telling of one’s love, or hate. You could also see these plants growing nearby within the cemetery, and in other cases, actually carved in stone on monuments.  

​Perhaps no other area of study offers better insight into the Victorian-era fascination with symbolism than that of the nineteenth century cemetery. Even the word "cemetery" has symbolic overtones as it was adapted by the early Christians from the Greek word koimerterion meaning "place of sleep." All cemeteries built during the Victorian period are full of symbolic references from the cemetery's design to the motifs and the design on the monuments. Crosses, obelisks, urns, columns, anchors, angels, cherubs adorn the older sections of the property and send some sort of message about the personality or importance of the inhabitants buried beneath. 
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The connection of stone and religion is strong. Stone conveys images of firmness and timelessness. It is quite natural that both Western and Eastern religions have embraced the use of stone as a media for their grave memorials. The messages conveyed on stone will, in theory, be eternal and mark an individual's life on earth.

Today, in excess of 40,000 graves are occupied, rivaling the living population of our state capital of Annapolis. Eight miles of paved roadway criss-cross the spacious cemetery grounds, allowing for recreational usage by walkers, runners and cyclists acting in a reverent and respectable manner. In addition, the cemetery proudly welcomes history and art lovers, family genealogists, photographers and ​​"tombstone tourists" of all ages